"Kindling: Charlie Heeley"

Charlie Heeley is the Student Leader Episcopal-Lutheran Ministries at the University of North Carolina-Pembroke.

"Mass of the Assumption: Fontgombault"

In honor of the August 15 Feast of Saint Mary the Virgin, the Mother of Our Lord Jesus Christ, here's another very pretty recording from Fontgombault (a  daughter-abbey of Solesmes); this video contains the Introit, Kyrie IX, the Alleluia, and the Communio. 



Here are the words to the Introit, the Alleluia, and the Communio; chant scores in Latin along with English translations:

The Introit, Signum Magnum

A great sign appeared in heaven: A woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars. -- Sing ye to the Lord a new canticle: because He hath done wonderful things. V.: Glory be to the Father . . . -- A great sign appeared in heaven . . . (From Revelation 12)


The Alleluia, Assumpta est

Alleluia, Alleluia. Mary has been taken up into heaven; the host of Angels rejoices. Alleluia.


The Communio, Beatam me dicent

All generations shall call me blessed, because He that is mighty hath done great things for me. (From The Magnificat, in Luke 1.)

Here's a listing of all the mass chant propers for this feast, from ChristusRex.org; the links go to mp3 files and chant scores.

Die 15 augusti
In Assumptione
B. Mariæ Virginis
Introitus: Apoc. 12, 1; Ps. 97 Signum magnum (cum gloria Patri) (4m11.0s - 1471 kb) score
Graduale: Ps. 44, 11.12 V. 5 Audi, filia (3m18.3s - 1163 kb) score
Alleluia: Assumpta est (2m09.7s - 761 kb) score
Offertorium: Assumpta est (1m43.2s - 606 kb)
Communio: Luc. 1, 48.49 Beatam me dicent (47.9s - 281 kb) score

From the YouTube page:

+J.M.J.+ Gregorian Chant for the Mass of the Assumption - Monastic Choir of the Abbey of Notre- Dame de Fontgombault. The Introit, Alleluia, and Holy Communion sung Propers, and Kyrie IX are part of a High Mass of the Assumption. Chanted by the Monastic Choir of the Abbey Notre-Dame de Fontgombault, France. Originally recorded and released in 1973, by Jean Allard. Arranged for CD in 1997 by Jean-Yves Martineau.

To buy the original full version of "Fons Amoris" on DVD go to: http://www.exaltavit.com/documentaire...

To buy the full version music CD, and other Gregorian Chant CDs recorded at the Abbey of Notre Dame de Fontgombault, visit this website:
http://www.monasterygreetings.com/pro...

Click this link for the Introit, Alleluia, and Holy Communion translations: http://romaaeterna.jp/liber2/grt1_137...
The Kyrie is taken from Mass IX (9), and translates from Greek as: Lord have mercy, Christ have mercy, Lord have mercy.

O Frondens Virga (Hildegard von Bingen 1098-1179)

Chanticleer shared this video on their socmed feeds this past week:



Here are the Latin words of the antiphon:

O frondens virga,
In tua nobilitate stans,
sicut aurora procedit.
Nunc gaude et laetare et nos debiles dignare
a mala consuetudine liberare,
atque manum tuam porrige ad erigendum nos. 

Here's one English translation of this (link is a PDF):

O branch, coming into leaf,
standing in your nobility
just as dawn advances:
now rejoice and be glad
and deem us, helpless ones, worthy;
free us from evil habits
and even reach out your hand
to lift us.

The Introit for the Feast of the Transfiguration (August 6): Tibi dixit cor meum ("My heart declared unto you")

I've written a bit about this Introit, Tibi dixit cor meum quaesivi vultum tuum, before, but here's a full post about it.   This is one of the few instances of the duplication of an Introit; this is also the Introit for the Second Sunday in Lent.



The Lent connection isn't crazy; the Transfiguration comes chronologically just before Jesus' entry into Jerusalem, before his arrest and Crucifixion.  In any case, it seems that Matthew's gospel story of the Transfiguration is read on Lent 2 in the Catholic Church, so putting the Introit here makes complete sense.

Here's the Introit score, from JoguesChant, which gives the translation as:

My heart declared to you: "Your countenance have I sought; I shall ever seek your countenance, O Lord; do not turn your face from me."  The Lord is my light and my salvation; whom shall I fear?

The São Paulo Benedictines note that this text comes from Psalm 27, vv 8-9, and 1:

8 My heart says of you, "Seek his face!"
Your face, LORD, I will seek.

9 Do not hide your face from me,
do not turn your servant away in anger;
you have been my helper.
Do not reject me or forsake me,
O God my Savior.

1 The LORD is my light and my salvation—
whom shall I fear?
The LORD is the stronghold of my life—
of whom shall I be afraid?

The Introit in former times (i.e., in the Tridentine Rite) was Illuxerunt coruscationes:

Illuxerunt coruscationes tuae orbi terrae: commota est, et contremuit terra. * Quam dilecta tabernacula tua, Domine virtutum! concupiscit et deficit anima mea in atria Domini.

Your lightening illumined the world; the earth quivered and quaked.
How lovely is Your dwelling place, O Lord of Hosts! My soul yearns and pines for the courts of the Lord.

(Psalm 76:19 and 83:2-3)

Cannot find a recording of this anywhere, but here's the chant score:

The readings for today are here.  They are:

• Exodus 34:29-35
• 2 Peter 1:13-21
• Luke 9:28-36  
• Psalm 99 or 99:5-9   

The Exodus readings is the "transfiguration of Moses"":  "As he came down from the mountain with the two tablets of the covenant in his hand, Moses did not know that the skin of his face shone because he had been talking with God."   

This comes from the 2 Peter reading:

For we did not follow cleverly devised myths when we made known to you the power and coming of our Lord Jesus Christ, but we had been eyewitnesses of his majesty. For he received honor and glory from God the Father when that voice was conveyed to him by the Majestic Glory, saying, "This is my Son, my Beloved, with whom I am well pleased." We ourselves heard this voice come from heaven, while we were with him on the holy mountain.

So we have the prophetic message more fully confirmed. You will do well to be attentive to this as to a lamp shining in a dark place, until the day dawns and the morning star rises in your hearts. First of all you must understand this, that no prophecy of scripture is a matter of one's own interpretation, because no prophecy ever came by human will, but men and women moved by the Holy Spirit spoke from God.

The Gospel, of course, is the Transfiguration story itself, from Luke.

The Collect is this beautiful one:

O God, who on the holy mount revealed to chosen witnesses your well-beloved Son, wonderfully transfigured, in raiment white and glistening: Mercifully grant that we, being delivered from the disquietude of this world, may by faith behold the King in his beauty; who with you, O Father, and you, O Holy Spirit, lives and reigns, one God, for ever and ever. Amen.

Stephen Gerth, the Rector at St. Mary the Virgin, NY, writes this week about Transfiguration, and includes a really interesting take on how it might relate to a section of Mark that comes just before the Transfiguration story - a passage that gives some people trouble:

When I was in seminary the standard thinking about the transfiguration, recounted in Mark, Matthew and Luke, was that it was a post-resurrection appearance that had come to be a part of the pre-passion narrative in the telling of the story of Jesus. It turns out that while I was learning one thing the scholarship was heading in a new direction, more faithful to the text and more convincing.

In 1981 Enrique Nardoni (1924–2002), Roman Catholic priest and biblical scholar, surveying the history of interpretation, changed the direction of the debate with an analysis of Mark (9:1-13). He was able to show that the story was very much a part of Mark’s ongoing narrative of the Good News (“A Redactional Interpretation of Mark 9:1,” Catholic Biblical Quarterly 43 [1981] 265-384).

In Mark, the story of the transfiguration follows Peter’s answer to Jesus’ question to the disciples, “But who do you say that I am?” Peter responds, “You are the Christ.” Peter doesn’t like what follows: Jesus’ prediction of his suffering, death, and resurrection. He responds by taking Jesus aside and “rebuking” him. The other disciples are close. Jesus turns so that all can hear him say, “Get behind me, Satan! For you are not on the side of God, but of men” (Mark 8:27-33).

Before the next story, the transfiguration, Mark’s narrative addresses directly the situation of Christians when he was writing. It was a time of persecution. Jesus said,

Whoever wishes to come after me must deny himself or herself, take up his or her cross, and follow me. For whoever wishes to save his or her life will lose it, but whoever loses his or her life for my sake and that of the gospel will save it.

What profit is there for one to gain the whole world and forfeit his or her life? What could one give in exchange for his or her life? Whoever is ashamed of me and of my words in this faithless and sinful generation, the Son of Man will be ashamed of when he comes in his Father’s glory with the holy angels.” (Mark 8:34-38)

Then, comes the difficult verse that causes so much debate, “He also said to them, ‘Amen, I say to you, there are some standing here who will not taste death until they see that the kingdom of God has come in power’” (Mark 9:1). The Risen Jesus did not return to establish the complete reign of God over creation. The word we have come to use for this return is “parousia.” It’s English for the Greek word παρουσία which Paul uses for the return of Jesus at the end of time in his First Letter to the Thessalonians, the oldest New Testament writing. (It’s also used in nine other New Testament books).

By the time Mark wrote almost certainly most, if not all of the disciples who heard Jesus speak these words, had died. With the story of Jesus revealing his heavenly glory one can say Peter, James and John saw this glory. In the private, personal center of our lives, where Christ has made himself known to us, one might say that we too have seen, each of us in his or her own way, the glory of God.

The subject of just these few verses is a large one. My own study will continue. More can certainly be said—and I have other material for my sermon for the feast, Wednesday, August 6 (Sung Masses at 12:10 PM and 6:00 PM).

When Jesus and the three others came down from the mountain, their journey to glory continued, as does ours in the days God has made for us.—Stephen Gerth

Here are all the chants for the day, from ChristusRex.org:

In Transfiguratione Domini

Introitus: Ps. 26, 8.9 et 1 Tibi dixit cor meum (cum Gloria Patri) (2m59.6s - 2808 kb)
Graduale: Ps. 44, 3 et 2 Speciosus forma (4m20.2s - 4068 kb) score
Alleluia: Sap. 7, 26 Candor est lucis æternæ (2m36.223s - 1223 kb) score
Offertorium: Ps. 8, 6.7 Gloria et honore (1m22.047s - 643 kb) score
Communio: Mt. 17, 9 Visionem (2m36.4s - 2446 kb) score

And here are other posts about chant propers for this day on Chantblog:

• The Gradual for the Feast of the Transfiguration: Speciosus forma
• The Alleluia for the Feast of the Transfiguration:  Candor est lucis æternæ 
• Office hymns On the Feast of the Transfiguration (August 6)

This is a "mosaic on stucco, portable icon with the Transfiguration of Christ, Byzantine artwork," circa 1200.  It's in the Louvre - in "Moyen-Age, room 1: Charlemagne."  Photo is by Marie-Lan Nguyen.

Cluny: La Transfiguration - Chants de Pierre le Venerable

In anticipation of the upcoming Feast of the Transfiguration (August 6), here is a beautiful collection of 12th-century chants for the day.    (Here's the Amazon.com page for this CD.)



Some explanation from the Amazon page:

Pierre the Venerable was one of the most remarkable men in 12th-century Europe: he was abbot of Cluny (France), the most influential monastery of its day; he sheltered Peter Abelard after the Pope condemned Abelard's teachings; he had the Koran translated into Latin; he defended Jews from persecution. On top of all this, he was a fine composer. The enterprising French ensemble Venance Fortunat performs here Pierre's hymns for the Feast of the Transfiguration. Director Anne-Marie Deschamps uses only unaccompanied voices, generally solo or in unison (occasionally with a drone), without rhythmic pulse but with careful attention paid to long-versus-short note values--in effect, the long notes of basic chant melodies are embellished with Pierre's quick, almost improvisatory ornaments. The impression created by the music and text (and magnified by the extraordinary "Clunisian" acoustic in which the recording was made) is one of intense, rhapsodic devotion--somewhat reminiscent of Hildegard of Bingen, though without her extravagant metaphor and wide vocal ranges. Deschamps and her musicians deserve high praise for finding this music and performing it so sympathetically. -- Matthew Westphal

Amazon offers the track list below; most or all of these pieces are standard Transfiguration chants - like O Nata Lux (the Transfiguration hymn for Lauds) - that have been set to new music.   I will try to find some lyrics to them and post them;  eventually; meantime here is the complete list:

1. Ecce Nubes Lucida
2. Assumens Ihesus
3. Invitatoire
4. Assumptis Hodie
5. Coram Tribus Discipulis
6. Primo Genitus
7. Ihesus Ad Discipulos
8. O Nata Lux De Lumine
9. Antienne: Ton 1. Visionem Quam Vidistis
10. Antienne: Ton 2. Accessit Ihesus
11. Antienne: Ton 3. Ut Testimonium Haberet
12. Antienne: Ton 4. Lex Per Moysen
13. Antienne: Ton 5. Descendentibus Illis
14. Antienne: Ton 6. Celi Aperti Sunt
15. Antienne: Ton 7. Tribus Discipulis
16. Antienne: Ton 8. Celi Aperti Sunt
17. Claruit Magnitudo Dei
18. Hodie In Monte
19. Discipuli Christi
20. Sicut Unius Dei Trinitas
21. Videns Petrus
22. Ave Stella Matutina

"Hail, Star of the Morning"!  Very beautiful stuff here, and now I want to learn more about Pierre le Venerable, too....