Friday, February 1, 2013

The Marian Antiphons: Ave, Regina Caelorum

Here's something about this hymn from "Singing the Four Seasonal Marian Anthems," by Lucy Carroll, published in Adoremus:
Ave Regina Caelorum

This anthem is sung from after Purification (February 2 or Candlemas) until Easter Vigil. Its earliest appearance was in the 12th century, although some also attribute this text to Herimann the Lame.
Ave regina caelorum, ave domina angelorum: salve radix, salve porta, ex qua mundo lux est orta: Gaude Virgo, gloriosa, super omnes speciosa, vale o valde decora, et pro nobis Christum exora.

This translation was done for our monastery by Dr. Rudolph Masciantonio, president of the Philadelphia Latin Liturgy Association:
Hail, queen of heaven, hail lady of the angels. Hail, root, hail the door through which the Light of the world is risen. Rejoice, glorious Virgin, beautiful above all. Hail, O very fair one, and plead for us to Christ.

Here's the antiphon sung to the Simple Tone by the Benedictine Monks of the Abbey at Ganagobie.  (Chant score from the Liber Usualis (1961), p. 278.)



Here's the chant score of the Simple Tone version, from the Liber Usualis:




Here's the Solemn Tone version of the antiphon, sung by the Benedictine Monks of Santo Domingo de Silos. (Chant score from the Liber Usualis (1961), pp. 274-275.)




Here's the chant score of the Solemn Tone version, from the Liber Usualis:




Here's a bit about Ave, Regina Caelorum from Wikipedia:
Ave Regina Caelorum is one of four Marian antiphons, with following versicles and prayers, traditionally said or sung after each of the canonical hours of the Liturgy of the Hours.[1][2] The prayer is used especially after Compline, the final canonical hour of prayer before going to sleep. It is said from the Feast of the Presentation (February 2) through Wednesday of Holy Week.[3] The origins of the prayer are unknown but it can be found included in a twelfth century manuscript.[4]

And this is from TPL:
Ave Regina Caelorum is a popular Marian antiphon from around the 12th century. It appears to be of monastic origin and the author is unknown. Herman Contractus (+1054) is often suggested as the author, for he wrote several popular Marian antiphons arround then. This antiphon is one of the traditional concluding antiphons for Compline in use since the 13th century. It is traditionally recited from the Feast of the Purification (Feb. 2) until Wednesday in Holy Week. The traditional collect, which is not a part of the antiphon proper, is also given below. As noted by St. Jerome, the versicle and response originally appeared in the writings of St. Ephrem the Syrian (306-373).
AVE, Regina caelorum,
Ave, Domina Angelorum:
Salve, radix, salve, porta,
Ex qua mundo lux est orta:
HAIL, O Queen of Heav'n enthron'd,
Hail, by angels Mistress own'd
Root of Jesse, Gate of morn,
Whence the world's true light was born.
Gaude, Virgo gloriosa,
Super omnes speciosa,
Vale, o valde decora,
Et pro nobis Christum exora.
Glorious Virgin, joy to thee,
Loveliest whom in Heaven they see,
Fairest thou where all are fair!
Plead with Christ our sins to spare.
V. Dignare me laudare te, Virgo sacrata.
R. Da mihi virtutem contra hostes tuos.
V. Allow me to praise thee, holy Virgin.
R. Give me strength against thy enemies.
Oremus
Concede, misericors Deus, fragilitati nostrae praesidium; ut, qui sanctae Dei Genetricis memoriam agimus; intercessionis eius auxilio, a nostris iniquitatibus resurgamus. Per eundem Christum Dominum nostrum. Amen.
Let us pray
Grant, O merciful God, to our weak natures Thy protection, that we who commemorate the holy Mother of God may, by the help of her intercession, arise from our iniquities. Through the same Christ our Lord. Amen.

From the Roman Breviary. Translation of the antiphon itself by Fr. Edward Caswall (1814-1878).

Here's another Rafael madonna:


From Wikipedia:
The Madonna della tenda is a 1514 painting by theItalian renaissance artist Raphael.[1] It shows Mary embracing the child Christ, while the young John the Baptist watches. The design of the painting resembles that of the Madonna della seggiola from the same period.

No comments: